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Leonard Bernstein at Harvard : The Norton lectures 1973

    Catalogusnr.:LEX0167
    Product:13 compact discs
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    Object status:
    Uitgebracht:Augustus 2018
    Opname:1973
    Totale speelduur:12:39:42
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    • The Norton lectures 1973 'The unanswered question' Vol.1 Musical phonology
      • 1
        The Norton lectures 1973 'The unanswered question' Vol.1 Musical phonology First of all
        2:00
      • 2
        The Norton lectures 1973 'The unanswered question' Vol.1 Musical phonology Perhaps the principal thing
        1:39
      • 3
        The Norton lectures 1973 'The unanswered question' Vol.1 Musical phonology Let me start
        0:52
      • 4
        The Norton lectures 1973 'The unanswered question' Vol.1 Musical phonology This is not just a sentimental anecdote
        1:52
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        The Norton lectures 1973 'The unanswered question' Vol.1 Musical phonology From this time
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      • 6
        The Norton lectures 1973 'The unanswered question' Vol.1 Musical phonology But how do we investigate
        2:51
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        The Norton lectures 1973 'The unanswered question' Vol.1 Musical phonology Now you can see
        1:28
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        The Norton lectures 1973 'The unanswered question' Vol.1 Musical phonology Universality is a big word
        2:31
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        The Norton lectures 1973 'The unanswered question' Vol.1 Musical phonology Other linguists
        2:46
      • 10
        The Norton lectures 1973 'The unanswered question' Vol.1 Musical phonology I began by imagining myself
        2:12
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        The Norton lectures 1973 'The unanswered question' Vol.1 Musical phonology Well, then I thought
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        The Norton lectures 1973 'The unanswered question' Vol.1 Musical phonology Let's make a simple analogy
        2:03
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        The Norton lectures 1973 'The unanswered question' Vol.1 Musical phonology Maybe even a divine one
        1:32
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        The Norton lectures 1973 'The unanswered question' Vol.1 Musical phonology But where do these notes come from?
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        The Norton lectures 1973 'The unanswered question' Vol.1 Musical phonology This acoustical phenomenon
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        The Norton lectures 1973 'The unanswered question' Vol.1 Musical phonology All these upper notes
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        The Norton lectures 1973 'The unanswered question' Vol.1 Musical phonology The first overtone
        2:33
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        The Norton lectures 1973 'The unanswered question' Vol.1 Musical phonology But more of that later
        1:56
      • 19
        The Norton lectures 1973 'The unanswered question' Vol.1 Musical phonology But let's not make the mistake
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        The Norton lectures 1973 'The unanswered question' Vol.1 Musical phonology Ant that's how the tempered clavichord
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        The Norton lectures 1973 'The unanswered question' Vol.1 Musical phonology Now this is a substantive universal
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        The Norton lectures 1973 'The unanswered question' Vol.1 Musical phonology But let's be careful
        1:43
      • 23
        The Norton lectures 1973 'The unanswered question' Vol.1 Musical phonology And there is always that blue note
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        The Norton lectures 1973 'The unanswered question' Vol.1 Musical phonology But even these twelve notes
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        The Norton lectures 1973 'The unanswered question' Vol.1 Musical phonology I trust you realize
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        The Norton lectures 1973 'The unanswered question' Vol.1 Musical phonology And again comes a great leap
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        The Norton lectures 1973 'The unanswered question' Vol.1 Musical phonology Now this means
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        The Norton lectures 1973 'The unanswered question' Vol.1 Musical phonology This is not to say that there were no drastic changes
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        The Norton lectures 1973 'The unanswered question' Vol.1 Musical phonology But meanwhile we are still in the Golden Age
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      • 30
        The Norton lectures 1973 'The unanswered question' Vol.1 Musical phonology So, we're in the midst of a chromatic adventure
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      • 31
        The Norton lectures 1973 'The unanswered question' Vol.1 Musical phonology And all by those progressions
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        The Norton lectures 1973 'The unanswered question' Vol.1 Musical phonology Now, I must point out
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      • 33
        The Norton lectures 1973 'The unanswered question' Vol.1 Musical phonology Do you realize
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        Symfonie nr.40, KV.550 in g kl.t. deel I
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        Symfonie nr.40, KV.550 in g kl.t. deel II
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        Symfonie nr.40, KV.550 in g kl.t. deel III
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        Symfonie nr.40, KV.550 in g kl.t. deel IV
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    • The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax
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        The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax Every once in a while
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        The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax Last week
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      • 40
        The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax Amen, says Noam Chomsky
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      • 41
        The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax I suppose what Chomsky is really after
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      • 42
        The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax So, let's pull up our socks
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      • 43
        The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax All right, let's try another one
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      • 44
        The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax Why am I taking your time
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      • 45
        The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax Well then
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      • 46
        The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax I think it follows
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      • 47
        The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax But first, what are these principles
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        The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax Transformational grammar
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      • 49
        The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax But now just think of that sentence
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      • 50
        The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax Since this is not a linguistics class
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      • 51
        The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax Take the passive transformation
        1:50
      • 52
        The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax Well, it hasn't brought us there
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      • 53
        The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax Good - now just as three notes are linked together
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      • 54
        The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax Now let's go back
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        The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax Now we are ready
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      • 56
        The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax Now I want to take you
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      • 57
        The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax Well, transformation, deletion, embedding, pronominalization
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      • 58
        The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax I am sure I don't have to trouble
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      • 59
        The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax Here I go
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        The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax I have asked myself
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      • 61
        The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax I became so fascinated
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        The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax Let's take one such utterance
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        The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax Now imagine
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        The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax Now let's see
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        The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax Monzart's G minor symphony
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        The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax Now our job is
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        The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax That introductory accompaniment
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      • 68
        The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax What does this three-note design mean
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        The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax The reason I pick symmetry
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        The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax Now from here on
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        The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax And once again, we are back
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        The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax By far the chief transformational principle
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        The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax You see, one of the great failings
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        The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax Most people hearing Mozart's opening
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        The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax So what, you ask
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      • 76
        The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax And if you are still not convinced
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        The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax These ambiguities
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        The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax For instance, in this same first movement
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        The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax So all these syntactic transformations
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        The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax He talks about this sonnet
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        The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax Because now it's time
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        The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax But now let's listen to
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        The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax Listen to the whole exposition
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        The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax Development coming up
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        The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax The circle of fifths again
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        The Norton lectures 1973 'The unanswered question' Vol.2 Musical syntax And that was all one single sentence
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    • The Norton lectures 1973 'The unanswered question' Vol.3 Musical semantics
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        The Norton lectures 1973 'The unanswered question' Vol.3 Musical semantics The other day
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        The Norton lectures 1973 'The unanswered question' Vol.3 Musical semantics The first would show us one meaning
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        The Norton lectures 1973 'The unanswered question' Vol.3 Musical semantics Think of this famous passage
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        The Norton lectures 1973 'The unanswered question' Vol.3 Musical semantics A linguist would say
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        The Norton lectures 1973 'The unanswered question' Vol.3 Musical semantics Well, I replied, Chomsky would say
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        The Norton lectures 1973 'The unanswered question' Vol.3 Musical semantics Of course, that last metaphorical leap
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        The Norton lectures 1973 'The unanswered question' Vol.3 Musical semantics Terrific, said my blonde inquisitor
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        The Norton lectures 1973 'The unanswered question' Vol.3 Musical semantics In fact, when you think of the number
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        The Norton lectures 1973 'The unanswered question' Vol.3 Musical semantics All right, first let's look briefly
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        The Norton lectures 1973 'The unanswered question' Vol.3 Musical semantics Playing, that's the word
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        The Norton lectures 1973 'The unanswered question' Vol.3 Musical semantics But does this Stravinskian game concept
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      • 98
        The Norton lectures 1973 'The unanswered question' Vol.3 Musical semantics There are three specific ways
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        The Norton lectures 1973 'The unanswered question' Vol.3 Musical semantics Now, having defined my usages of metaphor
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        The Norton lectures 1973 'The unanswered question' Vol.3 Musical semantics And here we are in trouble
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      • 101
        The Norton lectures 1973 'The unanswered question' Vol.3 Musical semantics Are we feeling what Beethoven supposedly felt
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      • 102
        The Norton lectures 1973 'The unanswered question' Vol.3 Musical semantics We will never know
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      • 103
        The Norton lectures 1973 'The unanswered question' Vol.3 Musical semantics Now, if we accept this general idea
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        The Norton lectures 1973 'The unanswered question' Vol.3 Musical semantics In our last lecture
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        The Norton lectures 1973 'The unanswered question' Vol.3 Musical semantics We all recognize antithesis
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      • 106
        The Norton lectures 1973 'The unanswered question' Vol.3 Musical semantics It can and it does
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        The Norton lectures 1973 'The unanswered question' Vol.3 Musical semantics And again, as in the poem
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        The Norton lectures 1973 'The unanswered question' Vol.3 Musical semantics In fact, it has been authoritatively suggested
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      • 109
        The Norton lectures 1973 'The unanswered question' Vol.3 Musical semantics We can expand the idea
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        The Norton lectures 1973 'The unanswered question' Vol.3 Musical semantics What do you suppose
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        The Norton lectures 1973 'The unanswered question' Vol.3 Musical semantics What's seriously striking
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      • 112
        The Norton lectures 1973 'The unanswered question' Vol.3 Musical semantics So why the Pastorale in this lecture
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        The Norton lectures 1973 'The unanswered question' Vol.3 Musical semantics Let's begin at the beginning
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        The Norton lectures 1973 'The unanswered question' Vol.3 Musical semantics But what of the more obvious melodic material
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      • 115
        The Norton lectures 1973 'The unanswered question' Vol.3 Musical semantics But to develop how
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      • 116
        The Norton lectures 1973 'The unanswered question' Vol.3 Musical semantics Now we have an insight
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      • 117
        The Norton lectures 1973 'The unanswered question' Vol.3 Musical semantics But wait
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        The Norton lectures 1973 'The unanswered question' Vol.3 Musical semantics But why were just those two notes added
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        The Norton lectures 1973 'The unanswered question' Vol.3 Musical semantics The metaphor arises
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      • 120
        The Norton lectures 1973 'The unanswered question' Vol.3 Musical semantics But in the ensuing four bars
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        The Norton lectures 1973 'The unanswered question' Vol.3 Musical semantics But that's not the main event
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      • 122
        The Norton lectures 1973 'The unanswered question' Vol.3 Musical semantics Well, that's the beginning
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      • 123
        The Norton lectures 1973 'The unanswered question' Vol.3 Musical semantics That's one of the questions
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        The Norton lectures 1973 'The unanswered question' Vol.3 Musical semantics This interference of the two frequencies
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      • 125
        The Norton lectures 1973 'The unanswered question' Vol.3 Musical semantics But what are we to say
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      • 126
        The Norton lectures 1973 'The unanswered question' Vol.3 Musical semantics It is to be found
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        The Norton lectures 1973 'The unanswered question' Vol.3 Musical semantics Now that's one way of looking
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        The Norton lectures 1973 'The unanswered question' Vol.3 Musical semantics At this point
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        The Norton lectures 1973 'The unanswered question' Vol.3 Musical semantics Even if you can succeed
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        Symfonie nr.6, op.68 in F gr.t., "Pastorale" deel I
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        Symfonie nr.6, op.68 in F gr.t., "Pastorale" deel II
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        Symfonie nr.6, op.68 in F gr.t., "Pastorale" deel III
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        Symfonie nr.6, op.68 in F gr.t., "Pastorale" deel IV
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        Symfonie nr.6, op.68 in F gr.t., "Pastorale" deel V
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    • The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity
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        The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity When I first wrote down the title
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        The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity Part of the danger
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        The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity The idea of ambiguity
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        The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity Similarly, in our second lecture
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      • 139
        The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity Then what's the magic secret
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      • 140
        The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity Enough of ambiguity
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        The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity The irony of all this
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        The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity But, mind you
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        The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity Where music was concerned
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        The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity Only think of
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        The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity And Chopin: well, we can't ignore Chopin
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        The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity And then, in the same little mazurka
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        The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity Foolish questions
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        The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity Let me try to read you
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        The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity Listen to this
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        The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity They began to intermingle
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        The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity The pivotal point
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        The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity So there is a dramatic change
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      • 153
        The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity So it is after all not so surprising
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        The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity Now if you noticed
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        The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity You see, the music is trying hard
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        The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity So that instant in musical time
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        The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity Now Romeo is all stirred up
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        Roméo et Juliette, op.17 ; Sel. deel I
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        Roméo et Juliette, op.17 ; Sel. deel II
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        Roméo et Juliette, op.17 ; Sel. deel III
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        Roméo et Juliette, op.17 ; Sel. deel IV
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    • The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity
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        The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity What a piece
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        The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity Quite unconsciously borrowed
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        The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity My purpose in all this
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        The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity Is it, says Wagner
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        The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity Every diminished seventh chord
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        The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity Now the remarkable thing is
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        The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity And this is what gives Tristan
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    • The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity
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        The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity That may be the slowest performance
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      • 171
        The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity But ultimately
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        The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity Poetry has begun to show
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        The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity And when Debussy
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        The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity It's lovely, this dreaming
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        The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity For example, do you remember
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        The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity In fact, the ending of this piece
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        The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity Let me show you briefly
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        The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity This new episode that proceeds
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        The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity For instance, hardly have we had time
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      • 180
        The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity Because the scale
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        The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity It's almost exactly what happens
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        The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity Literally translated
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        The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity But notice, too, that the example
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        The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity Both works have definitive beginnings
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        The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity Listen as I play
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    • The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity
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        The Norton lectures 1973 'The unanswered question' Vol.4 The delights and dangers of ambiguity Some crazy modern music
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    • The Norton lectures 1973 'The unanswered question' Vol.5 The twentieth century crisis
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        The Norton lectures 1973 'The unanswered question' Vol.5 The twentieth century crisis Our lecture tonight
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    • The Norton lectures 1973 'The unanswered question' Vol.5 The twentieth century crisis
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        The Norton lectures 1973 'The unanswered question' Vol.5 The twentieth century crisis What a way to enter the twentieth century
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        The Norton lectures 1973 'The unanswered question' Vol.5 The twentieth century crisis But 1908, if the truth be told
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        The Norton lectures 1973 'The unanswered question' Vol.5 The twentieth century crisis These troubliing presentiments
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        The Norton lectures 1973 'The unanswered question' Vol.5 The twentieth century crisis So, now in 1908
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        The Norton lectures 1973 'The unanswered question' Vol.5 The twentieth century crisis This is atonality
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        The Norton lectures 1973 'The unanswered question' Vol.5 The twentieth century crisis A charming idea
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      The unanswered question [met commentaar]
      Componist:
      5:23
    • The Norton lectures 1973 'The unanswered question' Vol.5 The twentieth century crisis
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        The Norton lectures 1973 'The unanswered question' Vol.5 The twentieth century crisis Is that luminous final triad
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        The Norton lectures 1973 'The unanswered question' Vol.5 The twentieth century crisis I have recently been reading
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        The Norton lectures 1973 'The unanswered question' Vol.5 The twentieth century crisis We have already referred to some of those
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        The Norton lectures 1973 'The unanswered question' Vol.5 The twentieth century crisis In any case
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        The Norton lectures 1973 'The unanswered question' Vol.5 The twentieth century crisis But for all these reasons
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        The Norton lectures 1973 'The unanswered question' Vol.5 The twentieth century crisis Son of Tristan
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        The Norton lectures 1973 'The unanswered question' Vol.5 The twentieth century crisis Now you look at those first two bars
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        The Norton lectures 1973 'The unanswered question' Vol.5 The twentieth century crisis Of course, there are lots
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        The Norton lectures 1973 'The unanswered question' Vol.5 The twentieth century crisis It's as though a new covenant
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        The Norton lectures 1973 'The unanswered question' Vol.5 The twentieth century crisis Trouble is, that the new musical rules
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        The Norton lectures 1973 'The unanswered question' Vol.5 The twentieth century crisis The kind of tonal feeling
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        The Norton lectures 1973 'The unanswered question' Vol.5 The twentieth century crisis Of course, there are those who say
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        The Norton lectures 1973 'The unanswered question' Vol.5 The twentieth century crisis It seems somehow inevitable
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        The Norton lectures 1973 'The unanswered question' Vol.5 The twentieth century crisis Is there possibly the beginning
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        The Norton lectures 1973 'The unanswered question' Vol.5 The twentieth century crisis And what about Beethoven's Ninth
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        The Norton lectures 1973 'The unanswered question' Vol.5 The twentieth century crisis These are some of the problems
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        The Norton lectures 1973 'The unanswered question' Vol.5 The twentieth century crisis Now let's jump ahead
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        The Norton lectures 1973 'The unanswered question' Vol.5 The twentieth century crisis Let's put it another way
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        The Norton lectures 1973 'The unanswered question' Vol.5 The twentieth century crisis First of all, Berg chose a tone row
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        The Norton lectures 1973 'The unanswered question' Vol.5 The twentieth century crisis So, all in all
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        The Norton lectures 1973 'The unanswered question' Vol.5 The twentieth century crisis Fantastic
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        The Norton lectures 1973 'The unanswered question' Vol.5 The twentieth century crisis It comes at a point
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        The Norton lectures 1973 'The unanswered question' Vol.5 The twentieth century crisis If this particularly demanding lecture
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        The Norton lectures 1973 'The unanswered question' Vol.5 The twentieth century crisis If you really have been thinking
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        The Norton lectures 1973 'The unanswered question' Vol.5 The twentieth century crisis But while restudying this work
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        The Norton lectures 1973 'The unanswered question' Vol.5 The twentieth century crisis The twentieth century
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        The Norton lectures 1973 'The unanswered question' Vol.5 The twentieth century crisis What do you do if you know all this
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        The Norton lectures 1973 'The unanswered question' Vol.5 The twentieth century crisis It's very strange, how the pieces
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        The Norton lectures 1973 'The unanswered question' Vol.5 The twentieth century crisis What exactly was this news
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        The Norton lectures 1973 'The unanswered question' Vol.5 The twentieth century crisis We emerge from a cinema
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        The Norton lectures 1973 'The unanswered question' Vol.5 The twentieth century crisis As you listen to this finale
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        The Norton lectures 1973 'The unanswered question' Vol.5 The twentieth century crisis This is Mahler
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth I know what you are thinking
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth What about this
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth I am plaguing you with this question
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth Of course what he is really talking about
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth But it was precisely
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth Now I have just used two words
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth In fact, it was Satie, Picasso, and Cocteau
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth But our scene
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth Even in the most
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth For our purposes
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth Musicologists are always pointing
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth But bitonality does not only serve
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth Of course, polytonality can and does
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth Now what's going on
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth And while you are in that record shop
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth Of course, these asymmetries
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth Brutal it may be
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth Now, remember
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth These are two sets
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth Just cast an eye
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth Now that page of music
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth But the most striking semantic effect
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth This new aesthetic relaxation
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth Even some Germans
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth You can see how the transformation
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth Chomsky himself gives a classic example
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth Very important, the ironic element
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth So, it would seem
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth But this neoclassic approach
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth I think this is again a moment
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth It's the essence
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth If this poem were rewritten
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth Why have I digressed
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth Now can you understand
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth Untermeyer called this
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth Of course, with The waste land
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth But the thing of it all is
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth We are going to hear
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth One has only learnt to get
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth Now I propose only because
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth This union is possible only because
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth But what has all this to do with Stravinsky
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth And this is the essence
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth Look: here is a joke
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth Chilling, shattering, neoclassic
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth Stravinsky's own aesthetic pronouncements
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth But of course he was forced
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth And now we are finally ready
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth And then Mozart appears
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth But this ecleticism knows no bounds
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth Now all this I had planned to tell you
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth You think that's funny
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth How about that
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth Then came the answer
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth But why this particular misalliance
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth My words are poor
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth Prologue: You are about to hear a Latin version of Oedipus the King
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        Oedipus rex ; Sel. Caedit nos pestis
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        Oedipus rex ; Sel. Liberi, vos liberabo
        3:29
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth This is Creon, brother-in-law of Oedipus
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        Oedipus rex ; Sel. Respondit deus
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    • The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth Oedipus questions the Fountain of Truth
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        Oedipus rex ; Sel. Dicere non possum
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        Oedipus rex ; Sel. Gloria!
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    • The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth The dispute of the princes attracts the attention of Jocasta
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        Oedipus rex ; Sel. Nonn' erubescite, reges
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        Oedipus rex ; Sel. Ne probentur oracula
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        Oedipus rex ; Sel. Ego senem cecici
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth The witness to the murder comes out of the shadow
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        Oedipus rex ; Sel. Adest ominscius pastor
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        Oedipus rex ; Sel. Nonne monstrum rescituri
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    • The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth And now you are going to hear that famous monolog
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        Oedipus rex ; Sel. Divum Jocastae caput mortuum!
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        Oedipus rex ; Sel. Ecce! Regem Oedipoda
        2:46
    • The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth Va-le-di-co
        2:06
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth During that decade
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth It was at this point that I wrote
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth What interests me about it
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth Is it possible
        1:51
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth It's as tough in the period
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        The Norton lectures 1973 'The unanswered question' Vol.6 The poetry of earth And I believe
        2:40

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