Peter-Jan Wagemans imagines the song of the peacock eye as a lovely arabesque, muted in tone and with short grace notes. At the end of its song, the butterfly flies into the sun like a lark, burning its wings like a moth in the candle flame. When Otto Ketting was composing film music at the Strand Hotel in London, he heard a violinist practicing nearby. He made a collage of these fragments, including
… a waltz and a tango. Toek Numan has seen too many cartoons. In his Capriccio he interpreted the hunted patter of a mouse, which is looking for the refrigerator. Equally endearing is Amboeba Escape by Arend Niks, in which we hear the single-cell in question making an escape attempt. Chiel Meijering has the score of his La Vengeance d'une Feme for violinist (! ) are accompanied by encouragements such as 'Go for it!' and 'Keep on coming baby!'. All this is a small selection of what the CD 24 Capriccios for Violin from The Netherlands has to offer. On this double CD the violinists Janine Jansen, Joris van Rijn and Benjamin Schmid show the 24 Capriccios that 24 Dutch composers wrote for the International Gaudeamus Interpreters Competition 1999. The model for these pieces were the acrobatic 24 Capriccios for solo violin by Paganini. Most in the spirit of Paganini is undoubtedly the last piece of this recital. These are the 12 spectacular Variations that Robert Zuidam wrote about Paganini's Caprice nr. 24. (HJ) On this double CD the violinists Janine Jansen, Joris van Rijn and Benjamin Schmid show the 24 Capriccios that 24 Dutch composers wrote for the International Gaudeamus Interpreters Competition 1999. The model for these pieces were the acrobatic 24 Capriccios for solo violin by Paganini. Most in the spirit of Paganini is undoubtedly the last piece of this recital. These are the 12 spectacular Variations that Robert Zuidam wrote about Paganini's Caprice nr. 24. (HJ) On this double CD the violinists Janine Jansen, Joris van Rijn and Benjamin Schmid show the 24 Capriccios that 24 Dutch composers wrote for the International Gaudeamus Interpreters Competition 1999. The model for these pieces were the acrobatic 24 Capriccios for solo violin by Paganini. Most in the spirit of Paganini is undoubtedly the last piece of this recital. These are the 12 spectacular Variations that Robert Zuidam wrote about Paganini's Caprice nr. 24. (HJ) Most in the spirit of Paganini is undoubtedly the last piece of this recital. These are the 12 spectacular Variations that Robert Zuidam wrote about Paganini's Caprice nr. 24. (HJ) Most in the spirit of Paganini is undoubtedly the last piece of this recital. These are the 12 spectacular Variations that Robert Zuidam wrote about Paganini's Caprice nr. 24. (HJ)more
