The Micrologus ensemble released a CD with lauds from Venice and Florence of the 15th century. These lauds were religious songs that were not intended for the church, but that had emerged from the polyphonic improvised folk song. These songs, which often related to the Virgin Mary and scenes from the life of Jesus, reflected the emotions of the people. This way of singing was promoted by lay orders,
… which had developed over the two centuries before that as a counterweight to the materialism of the Church. Lauds' singing took on such an extent that professional musicians were sometimes employed to teach the singers. These musicians were accompanied by fiddles and powerful wind instruments, usually used in processions and festivities. Venice had no less than five 'Scuole grandi' (large schools), which, in addition to singing, also engaged in charity. (HJ) _more
