In the late eighties Public Enemy established links between politics, soul music, hard rock, marketing, turntablism and rap. So she made a hip-hop world, metropolitan youth. Public Enemy's progressive albums can be considered avant-garde art, whose incomparable sample sources coalesced into a gloriously chaotic mosaic of polyphony and African-American unrest. Driven by political fury of Chuck D,
… enlivened by the antics of Flavor Flav, and drawn in by controversial Professor Griffs etnocentriciteiten, Public Enemy influenced virtually every rapper who followed in their wake.more